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Dalam perkembangannya, musik ini mulai dimasukan dengan berbagai macam unsur nusantara, seperti gamelan dan juga suling. Musik Keroncong pun mulai banyak dikenal di seluruh dataran Indonesia, hingga pada akhirnya mulai kembali redup sekitar tahun 1960-an.
Musik ini mulai masuk ke Indonesia tepatnya di Malaka. Walaupun masa jaya Portugis mulai melemah di Indonesia, musik ini tidak lantas hilang begitu saja. Para budak di Maluku kala itu mulai menyerap musik tersebut dan memainkannya di daerah mereka.
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the facility of monetary money, the superiority of engineering, along with the sophistication of marketing floor down standard audio. This paper tries to research the “keroncong” music in Indonesia which will nevertheless be managed or popularized by means of several techniques and by creating a suitable media of marketing like via tv and radio to make sure that Culture are familiar to “keroncong” tunes.
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Salah satu rekan terdekat mengatakan bahwa musik Keroncong adalah read more musik daerah yang tentu saja mewakili hanya sebagian daerah saja, dan hal tersebut yang membuat tidak semua rakyat Indonesia tidak tahu dan ‘mungkin’ tidak perlu tahu apa itu musik Keroncong.
songs, as being a treasure of Indonesian national new music, has been experiencing a long phase since the arrival of the Moorish as Portuguese slaves to Indonesia from the sixteenth century. within the prolonged interval, the “keroncong” tunes then, as other forms of regular music, needs to face field new music, In particular Western songs.
Akar dari Keroncong ternyata sudah masuk ke Indonesia abad ke-16 dan dibawa oleh para pelaut dan budak kapal dari Portugis.
Selain adaptasi dari musik Fado yang dibawa bangsa Portugis di abad ke-sixteen, musik Keroncong sendiri baru secara resmi dikenal di Indonesia pada tahun 1880. Perubahan yang terjadi dari pertama kali musik Fado masuk ke Indonesia adalah nada-nada yang digunakan.
The emergence of “campursari” while in the nineties, pioneered by Manthous, brought an influence of desire and have become a magnet for fans and activists of “keroncong” and traditional music so which they respect the new music and several groups of “campursari” new music and that is rooted from “keroncong” grew.